Our first stop was Agrigento, a former Greek colony of up to
300,000 people. The main reason for stopping is the ridge line over the valley
with the remains of several Greek temples and other ancient structures. The city of Agrigento was moved in the
Byzantine era to higher hills further from the coast.
Carmelina, our local guide, was born in New Jersey, but
moved here as a child, so she was very understandable. She showed us photos of
how the columns were quarried -- a circle was drawn on the rock and then the
slave dug out around the circle to form
a drum. Five drums made up each column. They were built to taper to give the
appearance of being taller. The top and bottom of each drum had a hole and lead
was used to join them together, sort of like many Ikea products join tall
columns today. Carmelina also had a book with overlays to show what we can see
now and how things would have looked
when they were new. There is no marble in the area, so the temples were built
of sandstone and coated with a marble stucco to make them look like marble.
The first temple we saw was the Temple of Hera (later Juno
when the Romans took over) which has a number of columns still standing.
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Temple of Hera above and following 2 photos |
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This is the exterior alter where public sacrifices were done. |
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500 year old olive tree |
On our way to the next temple, we walked past the old
stone defensive walls that were created by quarrying out the stone where we
walked. In the Byzantine era, with the Arabs further up the hill, the
walls were hollowed out into arched spaces
that were used for burials. There was also a more common type of Necropolis
further on.
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Defensive wall |
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The arches were cut later for graves. |
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Two marble statues found elsewhere. It is typical for heads and
arms to be removed for new rulers -- sort of like photoshop. |
The Temple of Concordia or Peace is the most
intact of the temples because in the 5th century AD, it was converted into a
Christian church by adding walls between the columns and removing the original
statues. It was used for 1700 years. After it was abandoned, an Englishman named
Falcone saw the value of it, bought it, and had it restored to as much of its
original glory as possible. For a long time, no one had a
clue who this temple was dedicated to, but finally some scrap of stone was found
documenting Concordia.
It is the most
intact of the temples because in the 5th century AD, it was converted into a
Christian church by adding walls between the columns and removing the original
statues. It was usedfor 1700 years. After it was abandoned, an Englishman named
Falcone saw the value of it, bought it, and had it restored to as much of its
original glory as possible.
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Above and below, view of the Temple of Concordia |
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A Polish artist created this rendition of Icarus, fallen from the sky. |
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A girgentana goat, nearly extinct, probably brought by the Arabs.
They have unique spiral horns on both sexes. This young one
will be all white at maturity. |
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Necropolis |
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Above and below: The Temple of Hercules |
The last temple had been dedicated to Zeus and was all but
rubble. Its construction was unusual because walls were built between the
columns and the tops of the walls featured three versions of giants supporting
the roof. Zeus had defeated the giants and condemned them to holding the sky
up. A collapsed giant has been found, but doesn't look like much any more.
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Remains of the Temple of Zeus |
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Rendering of what it used to look like |
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Above: Rendering of a fallen giant. Below: w hat you see today. |
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Looking back at the Temple of Concordia and Agrigento |
Finally, it was time for
lunch and we went to a local person's home because of his unusual
history. The food was wonderful, the pasta was the best we have had here, and
the wine was good, especially considering it came in 2 liter plastic bottles.
After lunch, we went down to Marcello's workshop, which featured a small
collection of elaborate carts built by his father. He and his son also
participated, but the cart-building business died out, so he has a different
job. He told us the carts were typically built by 5 people: 2 to carve, 1 to do
the iron work, 1 to put all the parts together, and 1 to paint. When the cart
painting business died, the painters moved up to restore frescos and similar
work, so they were really competent at what they did. The carts were built to
size for the beast pulling them and perfected balanced so the weight of the
cart only had to be pulled, not supported. Marcello's father was unique because
he could do everything but the painting. He had been an orphan and needed to find a trade by the time he was 14, and
became very successful.
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Marcello |
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Marcello deomstrating the balance of the carts |
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Demonstrating the cart use |
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Decorative iron work |
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Decorative woodwork |
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Old cart -- a plainer one |
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Jim demonstrates simple woodworking. By
sitting on a board that extends out the back,
he creates the tension needed to hold the
wood in place. |
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Working with an anvil |
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Picture of Marcello's father doing each job. |
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Decorative toy cart |
We spent the next hour and a half in siesta on the bus
driving to our agritourismo hotel. I had expected something smaller, but this
is quite an elaborate hotel with hot tubs (but they were cold), and walking paths, and lots of
rooms.
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There were lots of stork nests on the top of
electric poles. An old German bunker in
the background. We saw lots of them. |
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View from our balcony. We had a heavy rainstorm later. |
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Above and below: the older areas of the hotel. Some of our group was here, while others, including us, were in the newer section where we took the balcony photo. |
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